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Here’s a movie for dog lovers, the elderly, children of divorce, FOBs (Friends of Birds), faded Boy Scouts, people yearning for adventure, and anyone who has ever loved… and lost. Up is for everyone. It made me laugh out loud, and it made me wail.
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I plan it would be tough for Up to match the emotional power of Wall-E. The two Pixar films are similar in their lack of dialogue in the first act, which helps deepen the emotional impact. Up begins with Carl, a haunted young boy star-struck by a well-known explorer; and kookie Ellie, who has a similar obsession. The two kids become posthaste friends, and stammer to one day fade to Venezuela’s Paradise Falls. After getting married, they bewitch their dream home and fix it up, hoping to beget it with children. Carl and Ellie’s life together from childhood through frail age is depicted, silently, with delicacy and subtlety. The first 15 minutes is like a celebration of a cheerful marriage, and you truly feel Carl’s wound when he is left alone. He sits slumped in his chair, talking to the house as if it is the missing Ellie.
When developers terminate in on Carl’s beloved home, he decides to fulfill his promise to Ellie and recede to Paradise Falls. A frail balloon vendor, Carl lifts his home with hundreds of incandescent balloons. Stowing away on the porch is Russell, a stout, audacious kid trying to bag a scouting badge.
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After landing in Paradise Falls, the weak man and the runt boy are joined by a golden retriever named Dug who can talk with his collar, and a big rare bird that bonds with Russell (he names her “Kevin”) . Dug is priceless: spot-on for every dog that ever lived, including an obsession with squirrels. Through a series of end calls and adventures, the quartet vanquishes a villain, saving the day. And Russell earns his scouting badge.
In the process, Carl learns to let go of his shaded mourning for Ellie, and live life again. When this happens, a truly magical thing happens. Before, Carl’s craggy face is gray and monochromatic. At the moment of his transformation, Carl’s face is awash in color, and he is surrounded by aesthetic hues. It reminded me of The Wizard of Oz, when Dorothy steps out of her gray world and into a candy-colored Munchkinland. Carl, too, enters a whole original world.
Up is a deeply emotional film, burly of truth. It’s the year’s best film. Catch another triumph for Pixar.
Someday, Pixar is going to do it — they’re going to form an emotionally uninspiring, lackluster gripping movie. But in the meantime, they’re collected putting out exquisite engaging movies like “Up,” which defies the usual kid-movie conventions by starring a crotchety old-fashioned man. It’s a charming, fun itsy-bitsy adventure sage with flying dogs and balloon-powered houses, but underlying it is a bittersweet cramped record about loss and admire.
As a child, the shocked Carl Fredricksen bonded with the oddball Ellie over their shared treasure of adventure, the explorer Charles Muntz, and Paradise Falls. They later married, recede into their “clubhouse” together, and lived a long, sadly childless life together. When Ellie died, she had never fulfilled her dream of going to Paradise Falls.
Now crotchety, alone and harassed by a sincere estate developer, Carl (Ed Asner) is finally ordered to a retirement home. But he isn’t going quietly — instead he attaches thousands of balloons to his house and floats it away toward South America. But he accidentally takes an keen, naive Wilderness Explorer (a thinly-veiled Boy Scout) named Russell (Jordan Nagai) along for the slouch. Abominable kid was unbiased trying to procure an “assisting the elderly” badge.
And the jungle saunter to Paradise Falls turns out to have some surprising obstacles: a ample emulike bird that Russell names Kevin, a talking dog named Dug (”I am jumping on you, bird!”), and a mysterious musty man who lives deep in the heart of the jungle. Turns out the mature guy is very familiar to Carl — and to choose Kevin, he’s willing to sacrifice Carl and Russell.
Industry experts were babbling about how “Up” wouldn’t be as celebrated as the previous Pixar movies, because the protagonist is basically a crusty ragged coot. Well, shows what they know. It ended up becoming one of those classic movies that somehow appeals to all ages — while the humor and action appeal to children, adults can relish Carl’s admire for his lost wife, and his dull realization that he’s clinging to the past.
In fact, the first ten minutes are some of the most heart-tugging, quietly bittersweet scenes I’ve seen in a long time. Without a word, they prove all the ups and downs of a realistic marriage — joys, sorrows (Ellie’s inability to have children), growing old-fashioned together, and finally loss.
But it’s not a depressing movie by any stretch — in fact, it’s like a childhood fantasy arrive to life, complete with a floating house suspended on hundreds of balloons, and biplanes piloted by a talking dog army.. Plenty of immense dialogue (”Do you want to play a game? It’s called Gaze Who Can Go the Longest Without Saying Anything.” “Icy! My mom loves that game!”) and an action-packed climax in an faded airship.
Ed Asner is absolutely perfect as ubergrouch Carl — crotchety, grumpy, and definite to fulfill his wife’s lifelong dream, but gradually realizing he’s clinging to the past. Nagai is equally perfect as Carl’s polar opposite: a naive, chattery Scout who is positive to reunite Kevin with her baby chicks. And the utterly adorable Dug and the other dogs deserve special watch. These creatures are utterly hilarious — they talk (”I hid under your porch because I savor you”) and act the device dogs would if they talked. Three words: cone of shame.
The two-disc edition is going to have some very nice extras, but once again people with regular-def DVDs are going to procure shafted because the Blu-ray edition will have a bunch of odd stuff. Grr. As for this one, there’s a digital copy, the director’s audio commentary, kinda-alternate-ending “The Many Endings of Muntz,” and the documentary “Adventure Is Out There” about the research for this movie.
There are also a pair of adorable engrossing shorts. “Partly Cloudy” has a much-abused stork having to suppose potentially wicked baby creatures from a kind but clueless cloud. And “Dug’s Special Mission” is a sort of backstory for the adorable Dug, explaining what the heck he was doing before he met up with Carl and Russell.
“Up” continues Pixar’s running tally of gloriously intelligent, emotionally layered movies that the entire family can appreciate. With that, I have only one more thing to say… SQUIRREL!
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